If you’re currently shopping around for a premium quality 35mm lens for the Sony platform, the ZEISS Loxia 35mm f/2 is one candidate that is usually recommended. The Loxia 35mm f/2 features the usual ZEISS niceties and design assets, along with a few added extras above a usual manual lens in the form of Exif-data
When it comes to the sheer quality of output, ZEISS glass is usually the top of any photographer’s list. Anybody who has been playing around with lenses for a good deal of time either owns some form of ZEISS optics or wouldn’t mind getting their hands on one. This is easier said than done for
There’s one thing that Leica makes sure of above any other lens manufacturer and that’s to make their high-end optics as exclusive as possible. I say this purely from a price point of view, as the Leica Summilux-M 35mm f/1.4 ASPH costs just shy of $5000 on a favorable day at current prices, making it
One of the nice side benefits of sitting squarely on the Sony camera platform is access to native ZEISS lenses. The relationship has been going on for many years, which means the average Sony user has a wealth of glass to choose from in many different focal lengths. To cover the slightly wide-angle side of
ZEISS has always been unconventional, striking its own path with what it considers world-class optics. This methodology has always seemed to be a success, despite some seemingly odd focal lengths along the way. This has been most recently characterized by the introduction of the ZEISS Touit 32mm f/1.8, available only for Fuji and Sony camera
If you’re after a standard viewpoint lens, this usually means grabbing hold of a 35mm or 50mm prime. Both of these focal lengths are good all-rounders, but as photographers, we have been programmed to adhere to these standards, which means the ZEISS Batis 40mm f/2 CF is a weirdly in-between offering. This in-between focal length
The ZEISS Planar design, according to the company, is one of the most influential, borrowed – or to be polite – inspirational optical arrangements of all time. This is a system that just simply works and with the close link between Sony and ZEISS, the Planar T* FE 50mm f/1.4 ZA is one of those
Having the opportunity to review the best ZEISS lenses on the market is a bit like being given the opportunity to review the best Ferrari models currently available. Basically, being able to get my greasy paws on the best and most exclusive items from a certain product area. The German manufacturer has whipped up its
