When it comes to the longevity of camera lenses, some fall by the wayside, while others stand the test of time. One such lens is the Canon EF 300mm f/4L IS USM. The lens is part of Canon’s top-end L-series and will serve those looking for a long telephoto lens for the likes of sports
The Canon EF 16-35mm f/4 L IS USM is a wide-angle lens with some special qualities. This is the first wide-angle zoom to own image stabilization, enhanced optical quality, and of course, the L-series build quality. For those who shoot predominantly at the wide end of the spectrum, a high-quality wide-angle zoom provides flexibility with
In a world where zoom lenses are far more practical and the best they have ever been, it’s easy to overlook prime lenses. However, when it comes to optical quality and depending on the model, a prime lens can provide that extra optical zest you can’t quite get with a zoom lens. If you’re looking
The Fujifilm 50-140mm f/2.8 is a high-quality zoom lens, built specifically for APS-C cameras, which features tasty additions such as weather resistance and image stabilization (OIR). Fuji has been making top-quality glass for many years, not just for still cameras, and the high quality always shines through. This particular model has the Fuji X-mount, which
Many professional and beginner photographers often ask about the best lenses for portrait photography. The answer to that question is not as simple as it may seem primary due to the fact the decision is quite subjective. Various brands have released multiple models of lenses that are ideal for portrait photography, so it all comes
The Nikon 14-24mm f/2.8G ED lens was introduced in August 2007 along with the Nikon 24-70mm f/2.8G ED. Here “ED” stands for extra-low dispersion which means that the lens should capture the images with an unbelievable amount of sharpness and reduced chromatic aberration. It is capable of delivering stunning colors and great contrast across its zoom
Some camera lenses stick around for a long time for a simple reason — they were made great in the beginning. This is usually down to nailing the optical qualities, build, and the message getting out that they are extraordinary lenses. One such lens in this camp is the Nikon 28mm f/1.4D. This is not
The Canon EF 24mm f/2.8 IS USM marks an update to the Canon EF 24mm f/2.8 STM lens, which also coincided with the release of a newer version of the Canon EF 28mm f/2.8 lens. Both lenses were treated to better image quality, image stabilization, USM, and a better minimum focus distance amongst other things.
The Canon EF 100-400mm f/4.5-5.6L IS II has definitely been a long time coming. Other manufacturers have been producing their own long zooms with top-notch features, so Canon had to get it right for this widely used lens. On the surface, everything points to top-quality features, upgraded image stabilization, Canon’s L-series quality, and a focal
High-quality ultrawide, zoom lenses don’t usually come cheap. In this regard, Canon has produced the high-end Canon EF 11-24mm f/4L USM lens for those wanting the best quality at the wide end of the spectrum. As usual, these type of high-end lenses from Canon cost a pretty penny but are also the best in quality.
Sometimes in life, you don’t need the most expensive, optically superior lens in the world. A lens that produces good results is usually lightweight and doesn’t break the bank. This is the case with the Neewer 35mm f/1.7 or rebranded Meike lens. The Neewer naming is used for Sony E-mounts and Olympus and Panasonic M4/3
Long lenses are fun to use. There’s something appealing about being at a distance and still able to capture high-quality images. The Canon EF 400mm f/5.6L USM is one such lens which has fantastic optics and is built for the wear and tear of outdoor life. It may have some caveats like no image stabilization
A lens that offers such a wide focal range can bring both excitement and trepidation at the same time. Excited to think that one lens can cover so much zoom, while on the other will also mean big compromises in optical quality. Covering the ground from wide-angle to super-telephoto is no mean feat as the
As flat as a pancake. It’s the thought that comes to mind when you first see the Canon EF-S 24mm f/2.8 STM. An inexpensive lens that due to modern lens technology doesn’t cut down on quality, which wasn’t the case in past ultraslim prime lenses. This design is aimed at the APS-C brigade, which should
You have to hand it to Sony. They’re not just producing great camera bodies, but also a nice lineup of lenses to fit all focal lengths. One of the latest is this short telephoto prime lens, the Sony FE 100mm f/2.8 STF GM OSS. If you’re a current Sony camera body owner, then a 100mm
There are different types of lenses that can help a photographer get a better shot when sports are their target, but with such a variety of these lenses out there, you may not know even where to start. We share the best lenses for sports photography that you should consider in this post. 1. Nikon AF-S
The Pentax SMC FA 31mm f/1.8 AL is an old school looking lens, verging on wide focal length in Pentax‘s Limited series. Favored as a good performer, the FA-31 is getting quite old now, but can it still produce the goods? Design Back in 2001 when film cameras were still big, this type of lens
The Nikon AF-S Nikkor 28mm f/1.4E ED was first released in May 2017 and replaced the older 28mm f/1.4D lens. The older model was well-known for its capabilities. Impressive sharpness and contrast worked equally well on crop sensors or full-frame cameras. Luckily, the new version has been completely re-engineered with the latest electronic gadgetry and
Owning an 85mm prime lens allows for a wide range of applications. If you check out lenses owned by Canon users online, they most probably will have a few zooms, but when it comes to prime lenses the Canon EF 85mm f/1.4L IS USM is most likely included. This is because it works at an
It’s been a year since Nikon has expanded with the Nikon AF-S Nikkor 180-400mm f/4E TC1.4. This huge zoom is the first telephoto lens in the Nikkor collection with a built-in 1.4x teleconverter. Some might even consider it to be a dream lens. As one of the largest lenses perfect for outdoor and wildlife, expectations
Sigma is back with a top end lens, the Sigma 14-24mm f/2.8 DG HSM Art lens. This wide-angle zoom aims to be an alternative to what Canon, Nikon, and Sony offer at this focal length. All three aforementioned lens makers have top-notch wide-angle lenses of their own, which means Sigma had to produce something special
The Sigma 105mm f/1.4 DG HSM Art is one of the best portrait lenses money can buy. At a weight of 3.6 pounds, the lens boasts a huge front element which may draw stares, even from professional photographers, but you won’t find the impressive sharpness and smooth bokeh that it provides elsewhere. The 105mm f/1.4
Key Features Zoom lens with vast zooming range. Has a solid build using metal and hard elements alloys. Provides beautiful image stabilization for movement and static shots, and thus can be taken handheld. The lens provides beautiful results with the short distance setting. Overview The Sigma 60-600mm f/4.5-6.3 DG OS HSM is a zoom lens
Nikon’s Z-series is no stranger to the lens market. Prior to the Z 14-30mm release, the series had the Z 24-70mm f/2.8 S and the Z 58mm f/0.95 Noct. As for the f-stops on the other two lenses, the 14-30mm’s f-stop does not compare, but with Nikon everything has its purpose. There are other lenses
The Nikon Z 24-70mm f/2.8 S is a pro-grade and constant aperture zoom lens introduced for the Z-system mirrorless cameras of the company. This lens looks like a must-have for Nikon Z6 or Z7 users. Nikon’s NIKKOR Z 24-70mm f/4 S lens is already available for Z-system, but this newly launched optic has some significant
Irix has been bringing out some tasty lenses recently, with both good optics and functionality. Now they are adding to the lineup with the Irix 150mm f/2.8 Macro Dragonfly which can double up as a regular lens with macro mode. 150mm is quite long for macro purposes, but the macro functionality has 1:1 magnification, which
This absolute beast of a lens is the update to Tamron’s existing 150-600mm lens, which should satisfy any type of sports or wildlife photographer who has lens envy. The latest version should definitely stand out in a crowd, even if its only due to its sheer size. But the main criteria here is if the
There’s nothing like a lens that can double up and do two things. In this case, it’s the reworked Nikon AF-S 105mm f/2.8 which is quite happy being an all-around prime lens and micro in one bundle. It’s not a new design, but there’s plenty of quality here to keep up with the current crop
Irix may not be the most obvious make of camera lens, but they are designed by Switzerland-based TH Swiss and put together in Korea to keep down costs. Boasting great optics, the lens comes in two varieties of the ‘Firefly’ and ‘Blackstone’ with basically different outer shells at different price points. Design To start with
Sony has been producing some top quality lenses of late and it seems they have now added to the list the Sony FE 90mm f/2.8 Macro G OSS. This piece of glass is set out to double up as a 90mm macro and portrait lens, with a very usable focal length for both purposes. Strapping