In many ways the terms ‘waterproof’ and ‘camera’ are completely opposite in application. The majority of the time a camera and its owner will react to water like the Wicked witch of the West, but it doesn’t have to be this way with the right equipment (unless you’re into that green make-up thing).
Today’s waterproof camera picks concern the area of compact cameras. Something that isn’t just waterproof but rugged enough to hand to the kids to throw about on the beach and still produce reasonable image and video quality. If you want to go the DSLR route, then there are dedicated camera housings for various camera models and lenses. These can range from a simple waterproof bag up to fully sealed, waterproof housings costing thousands. However, we are going to look at consumer compact cameras that do everything you want underwater in one nice package.
One particular application of these types of cameras is that they are affordable and you can still enjoy the realms of underwater photography. Case in point is a local dog hydrotherapy center where I regularly shoot. They wanted to offer customers underwater images of their dogs. A full DSLR setup with a camera housing was too expensive, so a compact waterproof camera fit the bill, which could also be easily used by the Hydrotherapists and quickly thrown up to social media. So, now onto some choice picks.
The Olympus TG-5 has a 12MP BSI-CMOS sensor with a 25-100mm zoom range, f/2-f/4.9 aperture and capable of 4K video. The body is tough enough to take bruising and is waterproof to 15m/50ft. To prove its ruggedness it’s also shockproof to 2.1m/7ft and crushproof to 100kgf /220lbf.
The camera features a 25-point contrast-detect AF system which works well underwater as long as you don’t use continuous shooting mode. The camera is even very good in ‘microscope’ mode with a minimum focusing distance of 1cm/0.4in. One included elements which is needed in this type of camera is RAW support, which is really handy for tweaking things like white balance and getting rid of the common haze found in most underwater photography.
Video quality is also very good on the TG-5 shooting 4K UHD video at 30p or 25p or 1080p at 60 fps and a 120 fps mode. Some advanced features are lacking, but if you want an all round tough underwater camera which produces good image and video results, this camera is a good starting point.
The name of this camera tells you it’s specialism in life. The SeaLife DC2000 has one of the biggest sensors in the form of a 20MP 1″ BSI-CMOS sensor. It also boasts an f/1.8 lens at a fixed 31mm. The camera is waterproof down to 18m/60ft and with the additional housing down to 60m / 200ft. It’s also shockproof to 1.5m/5ft and even freezeproof down to -18°C/0°F.
The SeaLife DC2000 has a rugged build, maybe not as solid feeling as the Olympus Tough TG-5, but its image quality more than makes up. It will take a little while to get used as a control layout, but the camera has plenty of functionality like scene modes especially for underwater shooting and RAW support. The minimum focusing distance is 15cm/6in and in macro mode 9cm/3.5in. There are a few continuous shooting modes, one at 10fps, but none with raw files.
The 1 inch sensor definitely has better image quality and low light performance than the rest, but the autofocus starts to complain in dimly lit conditions. Overall, stills are some of the best quality in this sector.
Video wise, the SeaLife DC2000 can shoot 1080/60p and 30p, with stabilization up to 30 minutes. Video is more or less point-and-shoot as there is no real way to tweak the exposure. It’s also probably better using focusing in manual mode. This is the best camera for image quality, but it will take a little time to get your head around the controls.
The Panasonic Lumix DC-TS7 has a very solid construction with a 20MP 1/2.3″ BSI-CMOS sensor, 28-128mm equivalent f/3.3-f/5.9 lens and capable of 4K video. The solid, but plastic camera is waterproof to 31m/102ft, shockproof to 2m/6.6ft and crushproof to 100kgf/220lbf. The electronic viewfinder is a nice addition, but you have to press a button to swap between viewing via the LCD and the viewfinder.
A 49-point contrast-detect autofocus system helps enormously when focusing and can shoot 12 fps and 7 fps on a moving subject. There is no RAW support here and although the JPEG images look fine on the screen, they can be susceptible to a lot of noise reduction and softening.
Video mode feel slightly better shooting 4K UHD at 24p and 30p with 100Mbps bit rate with 1080/60p and 720/120p high speed modes. It’s still all virtually point-and-shoot in operation, but the quality is very good and you can also grab 8MP frames.
The Panasonic Lumix DC-TS7 may not produce RAW files, the electric viewfinder is just okay, but it’s a good all-rounder considering its mix of credentials.
Taking into account image quality, video and build, the top of the stack goes to the Olympus Tough TG-5. Image quality is one of the best of the bunch with a reasonable optical zoom range, ISO 100 – 12800 and plenty of scene modes to keep you occupied. The camera maybe only 12 megapixels, but you have to consider all the facilities you’re getting for your money and it’s capable of diving to 15m/50ft.
Image quality while shooting under water, counts a lot. Also, RAW file options can’t be underestimated in this type of camera, so I would put that high on your checklist. If image quality alone is your priority, rather than a complete all-rounder then the SeaLife DC2000 is a possible option.
All the cameras have a built-in flash which can do a reasonable job of lighting your subject, but don’t expect strobe or even external flash type output, you still need reasonable levels of light on subject. In total, considering the price point of these cameras, they all do a reasonable job of capturing images in the unforgiving conditions of underwater and are definitely a nice, quick solution over an expensive DSLR set up or risking your supposed waterproof smartphone.