The Nikon AF-S NIKKOR 85mm f/1.4G is a prime lens that is especially suited for portrait and wedding photographers, but also works well for food and landscape photography. Many photographers relied heavily on the old Nikon AF NIKKOR 85mm f/1.4D lens, which was legendary for the amazing bokeh it produced as well as extreme sharpness and
Professional photographer, writer, and lover of all things photography-related! I live in Durham, in the northeast of England.
Website: http://www.dawngilfillanphotography.comDawn has written 26 articles so far, you can find them below.
Nikon AF-S NIKKOR 70-200mm f/4G ED VR: The Little Zoom That’s Big on Performance
The Nikon AF-S NIKKOR 70-200mm f/4G ED VR is a telephoto zoom that covers a decent focal range. It will appeal to all kinds of photographers from portrait shooters through to landscape and sports, but the slow f/4 maximum aperture may limit its usefulness for some photographers. When you’re looking for a good, solid general-purpose
Sigma 15mm f/2.8 EX DG Diagonal Fisheye: Delightful Distortion and Sharpness
If you’re looking for a different perspective on things, then the Sigma 15mm f/2.8 EX DG Diagonal Fisheye might be the perfect lens for you. If you tire of the straight lines afforded by longer focal length lenses, yet don’t want to produce completely circular images, the Sigma 15mm f/2.8 EX DG is a good
Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary: Affordable Excellence
The Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary lens has a name almost as long as its maximum focal length, but is it worth dropping some of your hard-earned dollars on? Sigma has a lot of experience in making long focal length zoom lenses, and the Sigma 100-400mm f/5-6.3 DG OS HSM is one of
7 Best Tamron Ultra Wide-Angle Lenses Under $500
Are you on the hunt for wide-angle lenses that won’t break the bank? Well, we have a sweet selection of the best Tamron ultra wide-angle lenses under $500. Tamron is a third-party lens manufacturer that has a reputation for making good lenses with durable weather sealing, which is a big bonus if you are a
Tamron 18-200mm f/3.5-6.3 Di III VC: An Excellent and Versatile Zoom
Tamron had an ambitious goal with the Tamron 18-200mm f/3.5-6.3 Di III VC, promising both wide-angle and telephoto focal lengths in a compact package for mirrorless cameras. It also comes with Tamron’s brilliant Vibration Compensation (VC) system and fast stepping AF motor. It’s not a fast lens by any stretch, with f/3.5 being the maximum
Tamron SP 45mm f/1.8 Di VC USD: A High-Priced Prime That Falls Just Short of the Mark
The Tamron SP 45mm f/1.8 Di VC USD is a prime standard focal length 45mm lens that’s available in Canon and Nikon mounts. This is a great lens for low-light photography due to the fast f/1.8 aperture and the Vibration Compensation (VC) image stabilization. Tamron threw everything it had into the Tamron SP 45mm f/1.8
Sigma 60mm f/2.8 DN Art: Mirrorless Magic at a Bargain Price
The Sigma 60mm f/2.8 DN Art lens is part of the mirrorless range of Sigma Art lenses, identified by the ‘DN’ specification. It used to come in either a Sony E-mount or Micro Four-Thirds mount, but the Sony E-mount version has been discontinued. The equivalent focal length on micro four-thirds is 120mm, and on Sony
LG G5: Great in Its Day, but Pretty Average Now
Each year the stakes get higher in the smartphone market. The LG G5 was a game-changer when it was released back in 2016, but is it still as good four years on? Technology changes so fast that today’s hot ticket becomes tomorrow’s obsolete tech. The LG G5 comes with modular capabilities, meaning you can gain
Tamron SP 35mm f/1.8 Di VC USD: A Solid, Practical Prime
The Tamron SP 35mm f/1.8 Di VC USD is a 35mm third-party prime lens that features Tamron’s cutting-edge Vibration Compensation (VC) system, which has consistently been one of the best image stabilization systems since it was introduced. When you’re looking for a prime lens, you often need to choose between a fast aperture or some
Nikon NIKKOR Z 50mm f/1.8 S: A Practically Perfect Prime
The Nikon NIKKOR Z 50mm f/1.8 S is a standard 50mm prime lens for Nikon’s Z-mount mirrorless. A 50mm lens is one of the great prime focal lengths because the ‘nifty fifty’ is a versatile portrait, landscape, and general-purpose lens. Nikon’s Z-mount mirrorless system is a benchmark because it is built to potentially increase image
Sigma 30mm f/1.4 DC DN Contemporary: A Premier Prime at a Smart Price
The Sigma 30mm f/1.4 DC DN Contemporary is part of Sigma’s Contemporary range which aims to offer compact and lightweight general-purpose lenses that are also high performance. This range produces consumer lenses rather than professional ones, and the affordable prices are reflected in that. This particular lens is made for Sony E-mount, Canon EF-M mount,
Sigma 24mm f/1.4 DG HSM Art: A Brilliant Value Wide-Angle Prime
Today we’re going to take an in-depth look at the professional-grade Sigma 24mm f/1.4 DG HSM Art, and see if the performance matches its good looks. You could go with your camera brand and buy their 24mm lenses, or you could look at the usually cheaper but often just as good third-party lenses such as
Rokinon 85mm f/1.4 AF: A Nice, Budget-Friendly Portrait Lens
The Rokinon 85mm f/1.4 AF is a full-frame lens made for a variety of camera mounts. It comes as an autofocus version, which is a welcome addition by Rokinon as previous versions were manual focus only. Rokinon has always been known for manual focus lenses, but it’s trying to establish itself as a reliable budget
Sigma 70mm f/2.8 DG MACRO Art: Sharp but Quirky
The Sigma 70mm f/2.8 DG MACRO Art lens is the first prime macro of Sigma’s Art range, built for optical quality which is an Art Series priority instead of autofocus speed or image stabilization. This lens comes in Sigma L-mount, Canon EF, and Sony E-mounts. Strangely, Sigma has left Nikon out of this party, at
Laowa 105mm f/2 STF: Bokeh Brilliance at a Smart Price
The Laowa 105mm f/2 STF is a bit of a quirky one from a fairly new lens manufacturer, and it’s interesting enough to catch our attention. This lens is a fully manual Smooth Transition Focus (STF) lens, so it may take those used to autofocus a while to get to grips with the workings. It
Canon EF 200mm f/2L IS USM: The L-Series Legend with a Hefty Price Tag
The Canon EF 200mm f/2L IS USM lens replaces the discontinued Canon EF 200mm f/1.8L USM lens, but does it have what it takes to fill those legendary shoes? This is a professional lens, and it comes with a professional price tag, as well as a host of features and top-class optics. Though this is
7 Best Medium Telephoto Third-Party Lenses for Canon
Are you looking for medium telephoto third-party lenses for Canon systems, or do you prefer Canon’s own lenses? It’s worth shopping around for third-party lenses these days as the quality is much higher than it used to be and you can usually get them at a fraction of the price of the big brands. Most
Canon EF 35mm f/1.4L II USM: This Brilliant Prime Lens Outguns the Others
The Canon EF 35mm f/1.4L II USM was launched to replace the rather elderly Mark I version that was first released in 1998. The EF 35mm Mark II shares a lot of main specs with the Mark I, and key features are very similar. Underneath the surface, though, is where Canon’s quest for excellence is
6 Best Drone Birthday Gifts for Teens
Drones are the new must-have technology, and make an ideal gift for teenagers (or born-again teenagers!). But if you’re looking for a drone as a birthday gift then it can be confusing if you don’t know much about drones. There’s just so many to choose from. The great news is that we have done all
Canon EF-M 18-55mm f/3.5-5.6 IS STM: The Do-It-All Compact Kit Lens
The Canon EF-M 18-55mm f/3.5-5.6 IS STM was created for use in Canon’s compact system cameras. It’s a standard zoom lens that has an equivalent focal length of 29-88mm on a full-frame camera, so it’s pretty versatile. This lens features a stepping motor (STM) for smooth continuous autofocus while in live view or shooting video.
Canon EF-S 17-85mm f/4-5.6 IS USM: A Budget Zoom with Some Issues
The Canon EF-S 17-85mm f/4-5.6 IS USM lens came out in 2004, so it’s been around for a while. Most photographers like to have at least one zoom lens in their kit, and the EF-S 17-85mm covers a good range of view from wide-angle to telephoto. It also boasts Canon’s second-generation optical image stabilizer (IS).
Capture One 20: Serious Image Editing Worth the Price
There are many image editing programs out there, but Capture One has always appealed to the professional user for several reasons. It’s an all-in-one package that offers tethered shooting for image capture, powerful photo organizing, and very detailed image editing. There is nothing quite like Capture One on the market, and even the closest rival,
5 Best Tilt-Shift Lenses
No matter how much gear we like to acquire, most photographers don’t have a tilt-shift lens in their collection. Many new (and even some experienced) photographers aren’t even aware of what a tilt-shift lens can do, but we’re here to help. A tilt-shift lens is popularly known for making life-sized things look like miniatures. However,
Canon EF-M 22mm f/2 STM: The Little Lens with Big Capabilities
The Canon EF-M 22mm f/2 STM lens is one of two lenses created for the Canon EOS M mirrorless camera. The EF-M 22mm isn’t compatible with other Canon camera bodies, so DSLR owners will have to give this pancake lens a miss. It’s a fast prime lens featuring a constant aperture of f/2, along with
Canon EOS Rebel T7i / EOS 800D: The Reliable Rebel
Entry-level DSLRs are now ten a penny, but the Canon EOS Rebel T7i (EOS 800D outside the US) still stays top of the tree in Canon’s entry-level DSLR range. This version is an update to the EOS Rebel T6i (EOS 750D), which was released in 2015, and it comes with some extra features like an